Rosemary’s Baby was a blockbuster when it was released in the late 60’s, and its brilliant conceit of putting gothic horror themes of Satan and his followers in the environment of the bright NYC apartment of a young couple was groundbreaking for the time. It paved the way for other urban horror hits like The Exorcist and The Omen, and was a profound influence on writers like Stephen King. The movie culminates in this scene when Rosemary, played by fragile waif Mia Farrow, discovers the true nature of her newborn child. Her plaintive question at the end reveals the horror of her progeny more than any make-up job could.
Any kid coming of age in the 70’s was permanently scarred by the ending of this flick, based on the first published novel by Stephen King. Director Brian DePalma lulls you into a sense of calm with a tinkling soundtrack and a diffuse lens… and then gives you one hell of a jolt.
Speaking of Stephen King, I complained in Nerdstalking Podcast IT Review that that movie had too many jump scares. You can probably trace the lineage of the cheapest of all film frights to this moment in Carrie. Still, it’s fun to look back on a time when it wasn’t the overused trope it is today.
When it comes to great film moments, this one has an edge. As a fan of the original Alien (1979), I was wondering a couple of things when I was in the theatre watching this scene from the 1986 sequel. First, since the crew has woken up from cryogenic sleep and they’re gathered in mess eating a meal, is someone gonna start convulsing and you-know-what pop out? You have to wait for a full chest-bursting scene later (and they already kind of pulled the trigger on that earlier in the film, as well).
The other question they answer here is, as with Ash in the first film, is there a shady android among them? The answer comes in this great scene, where Bishop (Lance Henriksen) exhibits an otherworldly skill with a knife, at the expense of eternal whipping-boy Hudson (Bill Paxton).
Great moment in film: Time to wash all this scum off the street.
Remember when Jim Carrey was funny? We do, along with a breakdown of the Captain Marvel comic book character, and a discussion of why things always end up sucking. All in this detours episode of Nerdstalking!
18 days, 18 goddamn glorious 1967 Spider-Man TV show theme song covers! Because a spider has 8 legs, and if you take the 1 away from 18 you get 8! Here’s Day 4:
Walloping Websnappers! I’m not sure why so many Canadians are showing up on a list of Spidey theme covers, but maybe there just wasn’t that much to watch on Canadian television so everyone remembers the cool-weird TV show in re-runs in the 70’s and 80’s. At any rate, here are the Canadian clown princes of acapella doing their rendition, with that patented Früvous silliness thrown in. It really packs a punch.
18 days, 18 goddamn glorious 1967 Spider-Man TV show theme song covers! Because a spider has 8 legs, and if you take the 1 away from 18 you get 8! Here’s Day 3:
Rockers Aerosmith did the 60’s Spider-Man theme song thing for the first theatrical Spidey film in 2002, and a lively tune it is, at that. Aerosmith guitarist Joe Perry would later compose the theme to the 1994 Spider-Man animated show, containing some guitar riffs and lyrics that reference the 1967 original. Aerosmith’s version disappointedly never got an official music video, but trust someone on YouTube to cut one for us. Walk this way and we’ll take a look at it:
18 days, 18 goddamn glorious 1967 Spider-Man TV show theme song covers! Because a spider has 8 legs, and if you take the 1 away from 18 you get 8! Here’s Day 2:
Now 50 years old, the animation in the 60’s Spider-Man TV show was pretty rough, done in a shoe-string limited animation style to save money. So a jangly Ramones cover of the theme song seems just perfectly apropos. The song showed up as a hidden track on their 1995 farewell studio album ¡Adios Amigos!, as well as the 1996 live album We’re Outta Here! Here is the awesome video for the song as it aired on MTV. Yes kids, MTV once played music videos:
With the passing of Sir Roger Moore, Bill takes a look at some of the highlights of his tenure as the suave super-spy James Bond.
We present our review of the movie King Arthur: Legend of the Sword. If the movie seems strangely familiar, that’s because it is.
One thing I don’t think I ever realized is that the man who played Bruce Wayne’s manservant Alfred Pennyworth in the 90’s Batman films was a Hammer Films star. Michael Gough made many films […] You can click here to see the whole post.
Whatever Marvel paid to use Zeppelin’s ‘The Immigrant Song’ in a Thor trailer, it was money well spent. Click on the post to see trailer:
Now that the dust has settled, we dissect the latest King Kong film and consider its place in the wider world of Kong movies. We also throw Aquaman under the boat in our discussion of the ‘Justice League’ trailer and take a trip to the Satellite of Love in anticipation of the new version of ‘Mystery Science Theatre 3000’.